For anyone who hasn’t read them, the Wayfarers books take
place in a future in which humans have destroyed earth and moved off-planet,
where they have encountered other species who have banded together to create a
“Galactic Commons” government. In the Wayfarers world, humans were relatively
recently granted Galactic Commons (GC) membership and are lower-status members
of the galaxy.
These books have been quite successful. The first, The
Long Way to a Small Angry Planet, began life as a Kickstarter-funded
self-publishing project; it went on to be nominated for the 2015 Kitschies
(Best Debut) and was subsequently picked up and republished by Hodder &
Stoughton and, in the US, Harper Voyager. More awards nominations followed –
the 2016 Grand Prix de l’Imaginaire (Best Foreign-Language Novel), 2016 Arthur
C. Clarke Award, 2016 British Fantasy Awards (Best Newcomer), and 2016 Women’s
Prize for Fiction – as did the following two novels (not sequels per se but
rather books set in the same universe), which racked up an impressive list of
awards nominations as well. The series won the 2019 Hugo Award for Best Series.
The thing about the Wayfarers series, for me, is that none
of the books are strongly plot-driven. A Closed and Common Orbit is a
bit more so than the other two; the Long Way to a Small Angry Planet is
like a character-driven science fiction television series (I will not be the
first to note that it has a similar feel to Firefly, although Chambers’
Galactic Commons is quite different than the universe inhabited by the ship
Serenity) while Record of a Spaceborn Few reads like an
engagingly-written piece of ethnography. The world-building and the characters
are what make these novels so fun to read, not the plot. They are also
unfailingly optimistic, and given the current state of the world, who couldn’t
use a little optimism? But the character- and world-driven nature of these books
is startlingly unusual in the recently published books I’ve come across. I’m
amazed that they were published by big publishing houses – tremendously
grateful, for chances are I would never have found them otherwise, but amazed
nonetheless. I’d have guessed that their non-plot-driven aspects would have
immediately flagged them as no-go for major publishing houses. And I suppose I
wouldn’t have been wrong to make such a guess, as it’s only after the success
of The Long Way to a Small Angry Planet as a self-published work that
they got picked up.
In this sense, the Wayfarers books are not dissimilar to Check, Please! Both are optimistic as well as episodic rather than plot-driven; both were self-published, gained success, and were subsequently picked up by major publishers. Obviously they are substantively different in other ways – but to me, both reflect how self-publishing has been changing norms about what types of books will be successful. I can’t help but hope their publication signals a shift among traditional publishers, an increased willingness to take a chance, to move away from marketing-defined pigeonholes and to publish some works that have unusual and perhaps risky characteristics and yet are nonetheless truly quality.
I am probably hoping too much. But my experience with Wayfarers, and with Check, Please! too, highlights a reason why I am hoping this: if these works had not been picked up by major publishers, I almost certainly would not have encountered them. Self-published and small press-published works are difficult to find if what you are looking for is quality rather than something that falls squarely in a genre; there are so many of them, and they are so all over the map in terms of their execution. I was lucky enough to find Younger-Older Ones and Tales from Rugosa Coven on my own. How many similarly quality books have I missed, all the while bemoaning the lack of innovation among recent traditionally published books? And yet, the pool of self-published and small press-published books is so very large as to make the task of sorting through it nearly impossible.
Usual disclaimer: while some of the links above will take you to Amazon, they are for informational purposes only. The links should not be taken as any kind of recommendation to buy the product from the linked source, and neither I nor this site receive any funds from links to commercial sources.
Holidays are when I catch up on my pleasure reading. I have a big stack of things to read over the next two weeks (and can’t wait to do so). But here are a few of the books I read and enjoyed earlier this year, in no particular order.
Warning: this list is almost certainly incomplete. I should probably start doing periodic lists of stuff I’ve recently enjoyed, if only to keep track of what I’ve been reading for myself….
Tales from Rugosa Coven, by Sarah Avery – This book consists of three connected novellas about a group of early 21st century Wiccans in New Jersey, and it is awesome.
Last Song Before Night, by Ilana C. Meyer – This is the kind of fantasy that normally would be a little “high” for me, but the world and music sucked me right in.
Uprooted, by Naomi Novik – I read this in Warsaw, appropriately enough; it’s got a gorgeous Polish-inspired setting.
Serpentine, by Cindy Pon – a beautiful Chinese-inspired tale with female friendship at its core.
The Snow Globe, by Jenna Nelson – a young woman from an alternate Victorian London finds herself in a snow globe. Fun fantasy (and dare I say, perfect for the holidays?)
Our Lady of the Ice, by Cassandra Rose Clarke – recently finished this one too. A PI takes on a gangster in an alternate-history Antarctic enclosed world.
Trouble is a Friend of Mine, by Stephanie Tromly – Veronica Mars-style caper in the oh-so-aptly named town of River Heights, NY. The whole book is full of nods to those of us who grew up on teenage sleuths – and it is super-fun to boot!